Monday, May 12, 2014

Mahindra Gorele's invitation is awaiting your response

 
Mahindra Gorele would like to connect on LinkedIn. How would you like to respond?
Mahindra Gorele
Mahindra Gorele
3 years experience in SEO Analyst and Internet Marketing
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Tuesday, May 6, 2014

Mahindra Gorele's invitation is awaiting your response

 
Mahindra Gorele would like to connect on LinkedIn. How would you like to respond?
Mahindra Gorele
Mahindra Gorele
3 years experience in SEO Analyst and Internet Marketing
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Monday, April 28, 2014

Invitation to connect on LinkedIn

 
LinkedIn
 
 
 
Mahindra Gorele
 
From Mahindra Gorele
 
Senior Graphic Designer working at Amin Softech (Formerly PariSoftech)
Bhopal Area, India
 
 
 
 
 
 
 

I'd like to add you to my professional network on LinkedIn.

- Mahindra

 
 
 
 
 
 
 
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Monday, August 19, 2013

Once Upon A Time In Mumbai Dobara Movie Reviews

Once Upon A Time In Mumbai Dobara Movie 

Cast: Akshay Kumar, Sonakshi Sinha, Imran Khan
Direction: Milan Luthria
Rating: ** 1/2'

Once Upon A Time In Mumbai Dobara’ disappoints on various accounts. Most of all it is the labored pace and the tedious romantic track that makes the film a boredom-inducing watch.
If you are expecting that the sequel to ‘Once Upon A Time In Mumbai’ would be a fast-paced action thriller, then you are in for a not-very-pleasant surprise. ‘OUATIMD’ is a long winding love triangle where the protagonist and his aide just happen to be gangsters.

Shoaib (Akshay Kumar) is so busy chasing his object of affection and obsessing about her that he seems least interested in cementing his supremacy in the underworld. Akshay’s quest for both love and power is handled in such a flippant manner that neither manages to make an impact.

Akshay Kumar’s act is high on style but the portrayal falls flat. It does not have the punch that Ajay Devgn had brought on screen as the brooding Sultan Mirza (in ‘Once Upon A Time In Mumbai’) nor does it have Emraan Hashmi’s annoying but effective flamboyance in the prequel.
Akshay mouths 70s-style filmi dialogues but they don’t help recreate any nostalgia, they are verbose and tepid instead.

Imran Khan is totally miscast. He approaches his role with complete sincerity but he grapples with a part that needs much more than what he is capable of. Imran Khan is not a bad actor but that doesn’t mean that he can pull off any role.

Aamir Khan can be convincing as an IPS officer (Sarfarosh) as well as a tapori (Rangeela), but Imran Khan does not have the same range as an actor, at least, not yet. How difficult is it for a director to understand that Imran Khan is just too suave to play a don’s right-hand man?
Sonakshi Sinha plays an aspiring starlet, trying to make a name in the film industry. We have seen her innocent village belle act too many times and that’s essentially the problem with this one too. OUATIMD’s Jasmine is not any different from Dabangg’s Rajjo. She could do this role in her sleep.

Milan Luthria has potential and he has proved this before. It is frustrating that Luthria who usually knows the pulse of his audience, seems to have just wasted this opportunity. I can’t think of one memorable moment from the film. It’s glitzy and glamorous but lacks the character of the first part.

Friday, August 9, 2013

Once Upon Ay Time In Mumbai Dobaara

 What you remember from Once Upon A Time in Mumbaai is Ajay Devgn's brooding eyes, Emraan Hashmi's earnestness and dialogue writing that refuses to rest and annoys with its filmy-ness. What you figure from Once Upon Ay Time in Mumbai Dobaara's trailer is that you have no relief from the dialogue and you have Akshay Kumar and Imran Khan playing it out. Not to mention that the title is a mouthful.

Akshay Kumar replacing Ajay Devgn in a sequel only implies a good bye to subtle expressions and a welcome to loudness - thrice over. It doesn't help that the lines sound 'filmi-er' by themselves, if it were possible.

While Once Upon A Time in Mumbaai wasn't the greatest narrative, it had an engaging story. This second episode, however, seems to be more of a love triangle rather than a story of the workings of Mumbai's underbelly. If the underworld is going to mix its romance with guns, I hope they have been able to digest it well.

The music too seems to have received only lukewarm response too. The only hope is that you walk in with minimum expectations, so everything good you get then will be a bonus.

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